Reviews | |
| The Observer - Philip French | Screenrush Barometer:  |
| 'immensely enjoyable ' |
| Time Out - Tom Huddleston | Screenrush Barometer:  |
| 'Inoffensive, arcane and ultimately rather sweet, ?Amelia' is one to take your grandmother to.' |
| Empire - Angie Errigo | Screenrush Barometer:  |
| 'Swank's moving performance, the period dressing and beautiful planes all appeal, but dramatically it doesn't really soar.' |
| New Yorker - David Denby | Screenrush Barometer:  |
| 'handsome yet predictable and high-minded?not a dud, exactly, but too proper, too reserved for its swaggering subject' |
| The Sunday Times - Cosmo Landesman | Screenrush Barometer:  |
| 'This film has so much inspiring uplift, it leaves you airsick.' |
| The Daily Mail - Chris Tookey | Screenrush Barometer:  |
| 'The film is inoffensive and doesn't take too many liberties with the facts, but it lacks the quality that was most attractive about Earhart: her willingness to take risks.' |
| The Sun - The Sneak | Screenrush Barometer:  |
| 'Amelia was a great adventurer and an inspirational woman. But you would hardly know it from this uninspiring romantic slush.' |
| The Independent - Anthony Quinn | Screenrush Barometer:  |
| 'There's another epitaph, "Amelia", on Joni Mitchell's 1976 album Hejira, which finds more poetry in Earheart's legend over six minutes ("like Icarus ascending/ On beautiful foolish arms/ Amelia, it was just a false alarm") than this film does in almost two hours.' |
| Time - Mary Pols | Screenrush Barometer:  |
| 'Earhart still has the power to haunt us, even after, as Mitchell imagined it, her life became a travelogue. This Amelia, she's just a false alarm.' |
| New York Times - Manhola Dargis | Screenrush Barometer:  |
| 'The movie is a more effective testament to the triumphs of American dentistry than to Earhart or aviation.' |
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