New York Times
'Mr. Eastwood, working from a smart script by Dustin Lance Black, takes a dynamic approach to history.'
The complete review is available at New York TimesEvery magazine or newspaper has its own scoring system, it will be adapted to Screenrush's scale from 1 to 5 stars.
'Mr. Eastwood, working from a smart script by Dustin Lance Black, takes a dynamic approach to history.'
The complete review is available at New York Times'We're left with a pleasing, intelligent film happy to describe Hoover's behaviour as monstrous but too balanced and searching to damn him as a monster.'
The complete review is available at Time Out'The flashback-and-forth structure is quite an elegant one, but it eventually results in a film that's fragmentary, overlong and tricky to follow.'
The complete review is available at The Independent on Sunday'A well acted but unfocused study of one of the 20th century's most colourful characters. '
The complete review is available at Empire'J. Edgar is earnestly watchable. But it makes no contribution to a better understanding of Hoover'
The complete review is available at The Financial Times'enjoyable, too evenly paced, and much inferior to Larry Cohen's 1977 The Private Files of J. Edgar Hoover, a lively act of revenge starring Broderick Crawford as the pathetic, paranoid puritan.'
The complete review is available at The Observer'Without enough on-screen drama this can sometimes feel like a bum-numbing slog but it provides insight into Hoover's career, brought to life by a stunning DiCaprio.'
The complete review is available at The Sun'Can sometimes feel like a bum-numbing slog but it provides insight into Hoover's career, brought to life by a stunning DiCaprio.'
The complete review is available at The Sun'an irresolute ragbag of a film.'
The complete review is available at Evening Standard'Eastwood's film says more about its director than its subject, and sadly, what it says isn't flattering'
The complete review is available at The Daily Telegraph'There are interesting moments and interesting scenes here – but this J Edgar becomes a sonorous, History Channel drone'
The complete review is available at The Guardian'Hoover's biggest sin is that he was economical with the truth when it came to telling his own story. Future cultural historians may be saying the same thing about J Edgar itself.'
The complete review is available at The Guardian'Leonardo DiCaprio in the title role struggles with the noncommittal attitude, unsure whether to play self-tormented or to go for the full-blown monster of legend'
The complete review is available at The Independent
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