The Turin Horse
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Average rating:   4.2 based on 10 reviews
  •   Little White Lies
  •   The Financial Times
  •   Time Out
  •   Evening Standard
  •   The Guardian
  •   The Independent
  •   The Independent on Sunday
  •   Total Film
  •   New York Times
  •   The Observer

Every magazine or newspaper has its own scoring system, it will be adapted to Screenrush's scale from 1 to 5 stars.

10 Press Reviews

Little White Lies

  by Matthew Thrift

'A magnificent, towering achievement.'

The complete review is available at Little White Lies

The Financial Times

  by Nigel Andrews

'film is thrilling, beautiful and nearly heart-stopping'

The complete review is available at The Financial Times

Time Out

  by Dave Calhoun

'it is a film that drills into the core of your soul.'

The complete review is available at Time Out

Evening Standard

  by Derek Malcolm

'If you can bear it, you may well find this film riveting, equipped with imagery you can't get out of your mind. '

The complete review is available at Evening Standard

The Guardian

  by Peter Bradshaw

'The movie exerts an eerie grip, with echoes of Bresson, Bergman and Dreyer, but is utterly distinctive: a vision of a world going inexorably into a final darkness.'

The complete review is available at The Guardian

The Independent

  by Geoffrey MacNab

'The Hungarian auteur's gnomic, slow-moving storytelling style and grim absurdism demand patience but the formal mastery here is astounding.'

The complete review is available at The Independent

The Independent on Sunday

  by Jonathan Romney

'This is cinema so spare and silent it's on the verge of being Trappist cinema – and that is eloquence indeed.'

The complete review is available at The Independent on Sunday

Total Film

  by Sam Wigley

'Tarr risks self-parody with recurring scenes of the pair tucking into scalding potatoes, but if you've got the stomach for it this is an intoxicating vision of life at the end of its tether.'

The complete review is available at Total Film

New York Times

  by A. O. Scott

'The movie is too beautiful to be described as an ordeal, but it is sufficiently intense and unyielding that when it is over, you may feel, along with awe, a measure of relief'

The complete review is available at New York Times

The Observer

  by Philip French

'At the end, however, you feel – like the wedding guest buttonholed by the Ancient Mariner – that you've had an experience.'

The complete review is available at The Observer
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