The Woman in Black
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Average rating:   2.9 based on 18 reviews
  •   Empire
  •   Evening Standard
  •   New Yorker
  •   The Daily Telegraph
  •   The Daily Telegraph
  •   The Sun
  •   Evening Standard
  •   Evening Standard
  •   The Guardian
  •   The Observer
  •   Time Out
  •   Total Film
  •   The Independent on Sunday
  •   Little White Lies
  •   The Daily Mail
  •   The Financial Times
  •   The Independent
  •   New York Times

Every magazine or newspaper has its own scoring system, it will be adapted to Screenrush's scale from 1 to 5 stars.

18 Press Reviews

Empire

  by Olly Richards

'Check behind the doors. Switch on all the lights. You won't be sleeping soundly for a while.'

The complete review is available at Empire

Evening Standard

  by Charlotte O'Sullivan

'Seems there's life in the old boy yet. Harry Potter, RIP.'

The complete review is available at Evening Standard

New Yorker

  by Bruce Diones

'a standard haunted-house drama (all dark shadows and creaking doors), but the moody, beautifully composed production raises it above the norm'

The complete review is available at New Yorker

The Daily Telegraph

  by Robbie Collin

'Like all of the best ghost stories, The Woman In Black is only enriched in the retelling'

The complete review is available at The Daily Telegraph

The Daily Telegraph

  by Jenny McCartney

'a reminder that the old scares, freshly executed, remain the sharpest'

The complete review is available at The Daily Telegraph

The Sun

  by Alex Zane

'Be afraid – Harry Potter it ain't.'

The complete review is available at The Sun

Evening Standard

  by Derek Malcolm

' It all works reasonably well but the film lacks real punch.'

The complete review is available at Evening Standard

Evening Standard

  by Derek Malcolm

'There is also a feelgood ending, totally different from the book. It all works reasonably well but the film lacks real punch.'

The complete review is available at Evening Standard

The Guardian

  by Xan Brooks

'the former Potter has taken a shrewd baby-step in the right direction with this busy, bustling ghost story that at times appears less indebted to the Susan Hill bestseller than the Haunted Mansion ride at Disneyland.'

The complete review is available at The Guardian

The Observer

  by Philip French

'Goldman's script and James Watkins's direction are efficient, and the movie is handsomely designed.

The complete review is available at The Observer

Time Out

  by Tom Huddleston

'old-fashioned, ornate, imposing, occasionally creaky – and possessed of more than a few enjoyably nasty surprises.old-fashioned, ornate, imposing, occasionally creaky – and possessed of more than a few enjoyably nasty surprises.'

The complete review is available at Time Out

Total Film

  by Matt Glasby

'A heritage horror so classical it almost veers towards camp, this unashamedly old-fashioned ghost story benefits from Radcliffe's committed performance and Watkins' willingness to do anything for a scare.'

The complete review is available at Total Film

The Independent on Sunday

  by NICHOLAS BARBER

'If he is capable of another accent, or another facial expression, we'll have to wait for another film to witness it.'

The complete review is available at The Independent on Sunday

Little White Lies

  by Herman Clay

'Some effective scares, but this is haunted house horror by numbers.'

The complete review is available at Little White Lies

The Daily Mail

  by Chris Tookey

'shockingly unscary'

The complete review is available at The Daily Mail

The Financial Times

  by Nigel Andrews

'The story has worked in performance before. As a stage play it has run and run. As a movie it plods and plods.'

The complete review is available at The Financial Times

The Independent

  by Anthony Quinn

'Radcliffe has not been hiding a talent untapped by the Potter years'

The complete review is available at The Independent

New York Times

  by MANOHLA DARGIS

'With Mr. Watkins's creeping camerawork it's Arthur who keeps the story steadily moving forward inch by inch, shiver by shiver.'

The complete review is available at New York Times
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