The Art of Getting By
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Average rating:   2.2 based on 10 reviews
  •   Empire
  •   New York Times
  •   The Observer
  •   Evening Standard
  •   Little White Lies
  •   The Daily Mail
  •   The Independent
  •   The Independent on Sunday
  •   Time Out
  •   Total Film

Every magazine or newspaper has its own scoring system, it will be adapted to Screenrush's scale from 1 to 5 stars.

10 Press Reviews

Empire

  by Anna Smith

'A likeable debut from director Gavin Wiesen that will appeal to teens. And, my, hasn't that Freddie Highmore grown up.'

The complete review is available at Empire

New York Times

  by A.O. Scott

'You may find yourself touched, tickled and occasionally surprised. Mr. Wiesen, directing his first feature, has a brisk, unassuming style that mixes buoyancy and gravity in the right measure'

The complete review is available at New York Times

The Observer

  by Philip French

'It's a glib, smug movie, its smart, upper-middle-class Manhattan attractively photographed'

The complete review is available at The Observer

Evening Standard

  by Charlotte O'Sullivan

'A glossy fudge'

The complete review is available at Evening Standard

Little White Lies

  by Emma Simmonds

'MOR teen romance with a dash of inauthentic indie seasoning... Not funny, quirky, or particularly insightful.'

The complete review is available at Little White Lies

The Daily Mail

  by Chris Tookey

'Writer-director Gavin Wiesen piles on the coming-of-age clichés, and it doesn't help that his leading character has oddly middle-aged tastes.'

The complete review is available at The Daily Mail

The Independent

  by Anthony Quinn

'The trembly acoustic soundtrack and the doe-eyed looks of Highmore ache with sensitivity but they didn't, alas, stop me from checking my watch.'

The complete review is available at The Independent

The Independent on Sunday

  by Nicholas Barber

'the film buys into this little twerp's pseudo-intellectual angst, making full use of grainy handheld camerawork and earnest, sub-U2 wimp-rock songs to remind us how deep he is.'

The complete review is available at The Independent on Sunday

Time Out

  by Trevor Johnson

'Highmore is too cherubic to convince and the appealing Roberts struggles in a thankless role.'

The complete review is available at Time Out

Total Film

  by Matt Glasby

'Though woozily shot and well acted, embracing Gavin Wiesen's low-key coming-of-ager depends on whether you find its hero a self-important prick'

The complete review is available at Total Film
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