Silent House
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Average rating:   2.4 based on 10 reviews
  •   Empire
  •   The Daily Telegraph
  •   The Guardian
  •   The Sun
  •   Total Film
  •   New York Times
  •   The Independent
  •   The Independent on Sunday
  •   Time Out
  •   The Observer

Every magazine or newspaper has its own scoring system, it will be adapted to Screenrush's scale from 1 to 5 stars.

10 Press Reviews

Empire

  by Kim Newman

'now it's a remake of an effective exercise in misdirection. '

The complete review is available at Empire

The Daily Telegraph

  by Tim Robey

'Olsen's brilliantly nervy and detailed performance deserved a flick that knew how to house it'

The complete review is available at The Daily Telegraph

The Guardian

  by Peter Bradshaw

'atmospheric enough, and like the original, has a quasi-theatrical event status. But it feels like a copy.'

The complete review is available at The Guardian

The Sun

  by Alex Zane

'finishes up feeling like the film-makers ran out of ideas – they have tacked on a truly abysmal ending which almost undermines what is otherwise a really good movie.'

The complete review is available at The Sun

Total Film

  by Jonathan Crocker

'Technically impressive, genre-smart and nerve-shredding while it lasts, Silent House is really just a fun campfire horror tale'

The complete review is available at Total Film

New York Times

  by Neil Genzlinger

'there isn't much movie there '

The complete review is available at New York Times

The Independent

  by Anthony Quinn

'the subtleties of the original have been mostly blunted in the retelling'

The complete review is available at The Independent

The Independent on Sunday

 

'Inferior US remake of last year's Uruguayan horror film.'

The complete review is available at The Independent on Sunday

Time Out

  by Nigel Floyd

'an unimaginative ‘re-imagining''

The complete review is available at Time Out

The Observer

  by Philip French

'lacked conviction, and in this version transposed to the States it loses whatever claims to individuality it once had as well as wasting the talent of Elizabeth Olsen.'

The complete review is available at The Observer
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